Ali who is a talent in perfumery expecting his child, facing the challenges when he perceives the short opportunity of life. He has to complete all his remaining works in this short time.

Parvaneh's father is in prison and he communicates with his daughter through the phone of Farhad, one of his inmates. After some time, Farhad and Parvaneh become interested in each other and this is the beginning of their meetings and the beginning of their problems

Having separated from his wife, getting into some disagreements with his parental family, and failing to have a successful life in Tehran, Arash has left for a portal city to live a rather peaceful life. He has established a good relationship with a middle-aged woman by the name of Mahboobeh and has been thinking of starting a family with her, but due to some incidents, he has decided to return to Tehran.

This documentary is about the German-American archaeologist Eric Schmidt between the years 1931 and 1939 in Iran.

Mr. Kamali is the owner of a lunatic asylum who treats the patients byteaching them to make toys. The toys are creative, so they are very attractive for the children. But the toy studio shut because of sabotage and it led to patients’ critical mental status. Mr. Kamali tried a lot to solve the problem but he couldn’t do anything and he got terribly disappointed and sad. And then an angel of hope appeared

This is the story of Hazrat Masoomeh(Imam Reza Sister) trip, from Madinah to Qom.

Across the central plains of Iran, among farmlands and sometimes beside quiet country roads, stand remarkable structures unlike anything else. Some are cylindrical, others square or polygonal, rising as high as fifteen meters

The architecture of Bushehr is, above all, a testament to practical wisdom and creative adaptation. These buildings demonstrate how people, without complex technology and by relying on a deep understanding of environmental physics and the intelligent use of local materials, could not only survive in the harshest climatic conditions but also live with comfort and beauty. In a world now facing the challenges of energy consumption and global warming, this architectural heritage offers profound and timely lessons in sustainability, resource efficiency, and coexistence with nature. Bushehr reminds us that sometimes the greatest advances lie in the simplest and most harmonious solutions.

What comes to mind when you hear the word bathhouse? Most likely, you imagine a tiled room with warm water, steam, and soap. Yet the traditional bathhouses of Iran were something far more profound. They were not merely places for cleansing the body, but social institutions with unwritten rules, sophisticated architecture, and customs that accompanied people throughout every stage of life—from childhood to old age. Visiting the bathhouse was not an occasional leisure activity, it was an integral part of the rhythm of weekly life.

North Khorasan is a region of remarkable ethnic, cultural, and linguistic diversity, home to Kurds, Turkmens, Khorasani Turks, Tats, and Persians. This cultural plurality is also reflected in the region’s architecture.

Soltanieh complex, which includes a dome, a tomb, and a cellar, is located 39 km southeast of the city of Zanjan.

Today, after centuries, the Ganjali Khan Complex remains a vibrant and active part of Kerman s urban life. The bazaar is a lively marketplace for exquisite Kerman carpets, handcrafted copperware, tribal kilims, colorful spices, and local sweets such as kolompeh and qavoot. After careful restoration, the Ganjali Khan Bathhouse has been transformed into an ethnographic museum, where wax figures recreate scenes from traditional Iranian bathing customs. This thoughtful adaptive reuse has breathed new life into the historic complex, making it one of Kerman s principal cultural and tourist attractions.

Islam’s response to fundamental philosophical questions can provide a precise path to understanding its essence.

Modernity has distracted man from spirituality and caused him to become alienated. Therefore, another path must be taken...

History is a subject in whose analysis impartiality comes first, a perspective that has been well implemented in Analytical History of Islam.

iranians had the art of art since the ancient time , but the arrival of islam to iran played a special role in strengthening some art such as architecture .

So far, many studies have been conducted on the rich Persian culture and literature, among which History of Persian Literature is one of the most prominent.

Tar (Persian: تار) is an Iranian[1][2][3][4] long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan ( Iranian Plateau) and others near the Caucasus and Central Asia regions.

Azari music is an important part of the culture of the Azari-speaking people of Iran, which has evolved throughout history.

Words are incapable of describing Shajarian’s Rabbana. One has to listen to it and hear it in order to fathom the depth of its spirituality!

Radif in Iranian music is one of Iran’s intangible cultural heritages, which was inscribed in the UNESCO List of intangible world heritage in October 2009.

In ancient Persian literary works, there are many references to an instrument called “Robab”, which seems to have been a favorite of Persian literary personalities.

Dutar, the art of making and playing which has been inscribed on the UNESCO List of World Intangible Heritage, is one of the cultural elements of the north and northeast regions of Iran.

Mirza Mohammad Hossein Sifi Qazvini, known as Emad al-Ketab, is considered one of the most prominent figures in the history of Iranian calligraphy in the Nastaʿlīq style and the final link in the golden chain of the old masters of this distinguished Iranian-Islamic art. Living during the Constitutional Revolution era, he used his exceptional talent, abundant creativity, and tireless effort to serve as the connecting point between contemporary calligraphers and the school of Mirza Mohammad Reza Kalleh.

Miniature painting, considered one of the diverse branches of visual arts, is an authentic and captivating art form that combines delicate, imaginative, and finely detailed illustrations with both decorative and functional qualities

Traditional Persian design earmarks the independent identity of Iranian arts and crafts

Caricature is another branch of the visual arts that involves the exaggeration, distortion, and amplification of human, animal, or object features while maintaining a visually recognizable likeness.

Iranian calligraphy is a part of Islamic calligraphy in Iran and the field of Iranian civilization

Mir Ali Tabrizi, one of the greatest Iranian calligraphers of the Timurid era, in the 9th century AH, for the first time, was able to establish the principles and rules governing calligraphy in the Nastaʿlīq style and bring order to it.

Kelileh va Demneh, “Tajnameh of Anushirvan”, “Ayinnameh Ahd Sassani”, “Kitab-e Mazdak, and Kitab al-Taj” are some of the books that Ibn Muqaffa’ has translated from Middle Persian to Arabic introducing the Iranian Culture to the Arab world.

By writing the books Badayeh al Hikmah and Nahayah alHikmah, Allameh Tabatabai opened a new phase for Islamic philosophy.

Nezami Ganjavi was a great Iranian poet of epic poetry who introduced a colloquial form of story writing in Persian literature and poetry

Born in Ganjeh in the year 1141 CE, Jamal al-Din Abu Mohammad Ilyas bin Yusuf bin Zaki bin Mu’ayyad, popularly known as Nezami Ganjavi, was a great Iranian poet of epic poetry - originally from the Tafresh City - who introduced a colloquial form of story writing in the Persian literature and poetry. He is, thus, known as the pioneer of poetic story writing.

Sa’di is known in Iran as the “first teacher” and he has carried this title for 700 years.

Avicenna was an extraordinary figure in the history of mankind. He was a master of philosophy, medicine, mathematics, and other prevailing sciences of his time. Indeed, history can’t deny the exceptionality of the likes of Avicenna.

The people of Shiraz highly honor and respect the “Seville Orange Tree” and observe certain special customs in handling it.

Nowruz (literally translated New Day) is one of the oldest celebrations in ancient Persia, which is held vigorously in the first day of spring marking the beginning of the Iranian calendar (21 March).

The Sangsari Tribe of Iran engages in a nomadic migratory lifestyle in the north and northeast regions of Iran

Nowruz is an ancient Iranian festivity, which is celebrated by Iranians and special customs to welcome the New Year.

Sinehzani (in Persian) or Chest-beating is a ceremony performed as a sign of mourning for the Shiite Imams, especially Imam Hussain ibn Ali (as) in groups or in mosques and in Husayniahs.

The carpet-washing ceremony of the Fin region of Kashan county and Khaveh Ardahal village in “Mashhad-e Ardahal” is one of the ancient mourning ceremonies of this region, which is held on the second Friday of autumn every year, commonly known as the “Carpet Friday”, to commemorate the anniversary of the martyrdom of Sultan Ali ibn Imam Mohammad Baqir (as).

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates