“I Want to Live” is a romance-family serial. Homa Haghi and her fiancé, Nader, spend some hours together in the street. Homa and her family are getting prepared to celebrate her father’s birthday to surprise him but a few minutes after her father’s arrival, something happens, and…

Roman and Maria, a tourist couple with their own disputes, face a problem in Iran with the tourism institute they have a deal with. Morteza, the fired employee of the hotel where the tourist couple are staying, has plans for them with the help of his cousin, Hossein.

Shirin, a young woman from a wealthy family, is studying literature and humanities at university. She collaborates with the Institute for the Intellectual Development of Children and Young Adults as a book cover designer and illustrator. Her mother is not in the picture , but her father, is deeply devoted to her. On the other hand, Amir comes from a working-class, traditional family and works at a printing house that handles the institute’s publications. The moment he sees Shirin in person,when she visits the print shop to request a reprint of her friend’s book cover.he falls for her instantly. From that moment on, he is determined to pursue his love

The story of a man named Malek, who is a broker of a large family business. According to Malek’s wife, Samira, the salary he receives is not proportional to the amount of work he does. They, therefore, plan to kill Haaj Amou, the manager of this big business company.

“Coast Dwellers” is a documentary that delves into the fascinating role that music in Iranian culture. By exploring the diverse musical landscape of the country, the film sheds light on how music has shaped the lives of Iranian people and how it has contributed to the creation of national unity. The documentary takes a closer look at the unique rhythms, melodies, and instruments that are associated with Iranian music, and how they have evolved over time. Explores the role of music as a tool for expressing social and cultural issues and taking a profound look into the rich musical heritage of Iran are the main features of “Coast Dwellers”.

The life history and struggles of Mokhtar Saghafi, one of Imam Ali’s companions, who is well-known for his uprising against the Umayyad ruling system to avenge the martyrdom of Imam Husayn (AS) and his companions in the battle of Karbala. This serial depicts the political and social situation of the world of Islam in those days.

At the heart of Iran’s central desert, where the sky stretches endlessly and the earth offers architects an abundance of local and readily available building materials, a remarkable structure rises above the city, crowned by some of Iran’s tallest mosque minarets.

Imagine that it is the height of summer, and you are in one of Iran’s historic desert-edge cities, such as Yazd or Kashan. The heat is so intense that the paving stones are scorching beneath your feet, while the shimmering air makes the distant landscape appear distorted. Here, survival depends on finding shade and cool air.

To understand Vakil Bazaar, one must first understand Karim Khan Zand and his vision for Shiraz. Amid the turmoil that followed the collapse of the Afsharid dynasty and the assassination of Nader Shah, he succeeded in unifying a large part of Iran and chose Shiraz as his capital. Unlike many rulers before and after him, Karim Khan never crowned himself and did not call himself Shah. Instead, he adopted the humble title Vakil al Ra’aya, meaning the people’s representative or the people’s advocate. This people centered and modest spirit was also reflected in the architecture of the Zand era: the buildings of this period were not designed to display royal power or intimidate the viewer, but to serve the people, stimulate the urban economy, and enhance the comfort of everyday life.

This building shows that an architectural masterpiece does not necessarily have to be the largest, tallest, or most richly decorated. Sometimes, the rightness of a space, its alignment with its function, and the harmony of its elements can be more valuable than any form of luxury or excess.

The Apadana Palace of Shush (Susa) was the winter palace of Achaemenid kings and the main palace of Darius I and it was built on his direct order and over the ruins of the Elamite Empire around the years 521 to 515 BC. The construction was conducted parallel to that of Persepolis. Man-power and raw materials from various parts of the empire contributed to its construction.

Iran’s palaces are narratives of power. They tell the story of how those who held power wanted to show it to others—through height, through columns, through mirrors, through painting, and through gardens. And in that process, they sometimes created beautiful things—things from which power has now faded, but beauty still remains.

The West aggressively promotes the notion of religious pluralism, but is this narrative truly perfect and free of flaws?

A study of the lives of the Imams examines the approach of the Imams (peace be upon them) in dealing with the issue of the caliphate and government.

Modernity has distracted man from spirituality and caused him to become alienated. Therefore, another path must be taken...

Makhtumqoli Faraghi (Magtymguly Pyragy in Turkmen dialect) was a Turkmen spiritual leader and philosophical poet, whose position and his poems in Turkmen literature and culture is unparalleled.

A percussion instrument, which was used to announce important events in the past but has multiple uses today.

The Bakhshi music of Khorasan, which has its own special characteristics expresses the rich and noble culture of the people of the region.

Radif (lit. order) in Iranian music is its identity: an identity that because of its importance, has been inscribed on the UNESCO List of World’s Intangible Heritage

The history of Daf goes back to ancient times when it was played in old Persia, different parts of Asia & North Africa

Bakhtiari folk music is the manifestation of Bakhtiari culture and the one played to welcome the spring and Nowruz is full of joy and delight.

In ancient Persian literary works, there are many references to an instrument called “Robab”, which seems to have been a favorite of Persian literary personalities.

Mirza Mohammad Reza Kalhor was a renowned and skilled calligrapher of the Qajar era, recognized among the prominent Nastaliq masters in the history of Iranian visual arts. Through his innate talent and creativity, he succeeded in establishing a fresh, distinctive, and enduring style in Nastaliq calligraph.

Mahmoud Farshchian is a highly skilled and internationally renowned Iranian artist, recognized as a master of Persian miniature painting. His innovative and conceptually rich works, created over the course of his prolific artistic career, have earned him widespread admiration and respect among art scholars and enthusiasts worldwide.

Seyed Mohammad Ehsai is a renowned and accomplished figure in contemporary Iranian visual arts and is regarded as one of the pioneers of Naqqashi-Khat (calligraphic painting) in the country. Through his distinctive body of work in this field, he has gained international recognition and acclaim among art enthusiasts. One of the main reasons for Ehsai’s prominence lies in his pivotal role in establishing calligraphic painting in Iran. He was among the first artists to employ letters as a medium for personal artistic expression.

Mir Ali Tabrizi, one of the greatest Iranian calligraphers of the Timurid era, in the 9th century AH, for the first time, was able to establish the principles and rules governing calligraphy in the Nastaʿlīq style and bring order to it.

Miniature painting, considered one of the diverse branches of visual arts, is an authentic and captivating art form that combines delicate, imaginative, and finely detailed illustrations with both decorative and functional qualities

Sculpture is a branch of the visual arts in which the artist, inspired by both nature and imagination, shapes a variety of materials such as stone, wood, clay, plaster, metal, glass, wax, or paper. Through the use of hands, tools, and diverse techniques—including addition, subtraction, cutting, and reshaping—the artist creates a tangible, three-dimensional form.

What seals Abu Sai’d Abu’l-Khayr’s name in history is that he was devoid of fanaticism. He respected everyone, regardless of their religious or cultural affiliations. He is also known as “the father of practical mysticism in Persian literature”.

Sheikh Sadouq believed that in order to know God, man needs divine inspiration or divine proof. He emphasized that reason cannot know God and discover religious knowledge in the absence of revelation.

Abu Hamed Mohammad ibn Ahmad Ghazali (1058 - 19 December 1111 CE), the great Iranian scientist, philosopher, theologian, and jurist and one of the greatest men of the great Islamic Sufism, was born in the Iranian city of Tus.

Hafez’s poems are a display of the beauty of the Persian language

Rudaki was a one of those great Iranian personalities, to whom Persian language owes an important part of its history.

Hakim Mulla Hadi Sabzevari, with his special views, was able to take a new step in the development of philosophical teachings and was recognized as the founder of the Neo-Sadraei discourse.

Saint Thaddeus Monastery - called Qarah Kelisa in the Azari language - is very important for Iranian Armenians and every year a grand ceremony is held in it with the presence of Christians from all over the world.

The carpet-washing ceremony of the Fin region of Kashan county and Khaveh Ardahal village in “Mashhad-e Ardahal” is one of the ancient mourning ceremonies of this region, which is held on the second Friday of autumn every year, commonly known as the “Carpet Friday”, to commemorate the anniversary of the martyrdom of Sultan Ali ibn Imam Mohammad Baqir (as).

Nakhl Gardani (also called Khal Bardari) is a symbolic ritual performed by the people of Yazd to commemorate Imam Husain’s (AS) martyrdom on the Day of Ashura and although this ritual is performed in several central regions of Iran, Yazd is considered its origin.

One of the features of the Ta’ziyeh of Toot Village, which led to its inscription on the list of Iran’s national heritage, is the preservation of authenticity and the traditional way of performing it

The custom of “Shahnameh Khwani” (lit. reciting the stories of Ferdowsi’s book, Shahnameh) has been very popular among Iranians and is considered to inspire the spirit of chivalry, morality, and bravery.

Takhtehzani is a mourning ceremony held in Firooz Salar village in the afternoon of Tasu’a.

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates