“The Garden of Tales” follows the story of a kind gardener who takes care of a quiet village full of colorful flowers. His chubby and reliable cat also helps him look after the flowers and learns new lessons every day. This animation contains lessons about such important values as orderliness, respecting others, right thinking, perseverance, friendship, trustworthiness, reading, and helping others.

This feature film is the life story of a young boy who has not seen his father and his mother works in a factory. In spite of being amateur and just having a small camera, he decided to make a movies in order to change the course of his life and works hard to achieve his ambitious goal.

Ms. Salem, a second-grade primary school teacher, has been involved in online teaching in the last year of her teaching career. She does not post any photos or videos of herself. The lady principal of the school, who will also retire this year, is concerned about the state of education in her school and is trying to protect her own reputation after 30 years of service.

This documentary is about the producer’s encounter with his own childhood nostalgia and deals with his difficult childhood and its effects on his presentday life. In spite of being discouraged by the people around him, this producer ventures into the place where he spent his childhood to produce this documentary.

Piccolo is a magical island that is the home of many strange and fantasy creatures .the island attracts a creature once in a while. Every time a new person is thrown into Piccolo, the magical rose blooms and informs the other inhabitants. One day Piki gets pulled into the clouds while paragliding and falls in Piccolo. After the fall, the people of Piccolo find him he had lost his memory so they officially recognize him as a citizen of Piccolo. Over time, he gets to know the people of Piccolo They face a new issue and challenge in each episode.

"The Orange Forest" is the story of a failed playwright who has just become a high school teacher. The students and the principal of the school are not satisfied with his behavior. In the course of a journey, he encounters an image from his past.

Among all the historic bridges of Iran, there is one that is far more than a passage across a river. It is at once a recreational palace, a public gathering place, a water-regulating weir, and a masterpiece of art and architecture. Khaju Bridge, built in the mid-seventeenth century by order of Shah Abbas II of the Safavid dynasty over the Zayandeh Rud River in eastern Isfahan, represents one of the finest achievements of Iranian bridge architecture. Here, hydraulic engineering, monumental architecture, and landscape design are woven together with such remarkable intelligence that, even nearly four centuries later, the bridge remains breathtaking.

Geometry in Iranian architecture is a language that has transcended the boundaries of time and place. It speaks both to our reason and logic, and to our spirit and emotions. It responds to structural and climatic challenges while also embodying philosophical and mystical concepts. It gives buildings both order and stability, as well as beauty and grandeur. Perhaps the secret behind the enduring legacy of Iran’s architectural masterpieces lies in this profound connection between geometry, function, and meaning—a connection that Iranian architects brought to its highest expression and passed down as an enduring heritage to humanity.

The Achaemenid Empire stretched from the Indus to the Nile, encompassing dozens of peoples, languages, and beliefs. Force could conquer such a vast realm, but it could not secure its lasting unity. The empire needed an idea—one powerful enough to bring all its diversity together under a shared vision. Persepolis was the embodiment of that idea. It was not a temple, nor a tomb, nor a royal palace in the conventional sense. Persepolis was a ceremonial capital—a place of royal audience, where, during Nowruz, the King received delegations from across the empire. Its architecture was designed to give lasting form to this ceremony of welcome, order, and imperial unity.

Iran’s traditional ice houses are a powerful manifesto against the notion that sustainable and climate-responsive technologies are modern, imported concepts. Centuries ago, Iranian architects were already putting these principles into practice in the heart of the desert, taking them far beyond theory and perfecting them through the construction of monumental and highly efficient structures. These forgotten mud-brick domes are silent yet powerful reminders of the ingenuity, creativity, and sustainability embedded in Iranian architecture.

To understand Vakil Bazaar, one must first understand Karim Khan Zand and his vision for Shiraz. Amid the turmoil that followed the collapse of the Afsharid dynasty and the assassination of Nader Shah, he succeeded in unifying a large part of Iran and chose Shiraz as his capital. Unlike many rulers before and after him, Karim Khan never crowned himself and did not call himself Shah. Instead, he adopted the humble title Vakil al Ra’aya, meaning the people’s representative or the people’s advocate. This people centered and modest spirit was also reflected in the architecture of the Zand era: the buildings of this period were not designed to display royal power or intimidate the viewer, but to serve the people, stimulate the urban economy, and enhance the comfort of everyday life.

Roots of the word minaret: A tower that was built for surveillance or to convey the news by lighting a fire as a sign of victory. Minarets were and are also built for the purpose of reciting the call to prayer and it is for this reason that the other name of the minaret is the muazzanih (lit. place of saying “Azan” or the call to prayer).

The image of Islam and human rights from the perspective of Islam that has been portrayed in the minds of the world’s people through the media has many flaws.

Modernity has distracted man from spirituality and caused him to become alienated. Therefore, another path must be taken...

Makhtumqoli Faraghi (Magtymguly Pyragy in Turkmen dialect) was a Turkmen spiritual leader and philosophical poet, whose position and his poems in Turkmen literature and culture is unparalleled.

Great people always have a big question before them: How can we lead ourselves and society towards salvation The answer that Islam and Education seeks to find.

Phoenix the Conqueror tells the story of a martyred student.

History is a subject in whose analysis impartiality comes first, a perspective that has been well implemented in Analytical History of Islam.

Radif (lit. order) in Iranian music is its identity: an identity that because of its importance, has been inscribed on the UNESCO List of World’s Intangible Heritage

The scope of Lak music is quite unique and Sorna and Dohol are its main musical instruments.

Dutar, the art of making and playing which has been inscribed on the UNESCO List of World Intangible Heritage, is one of the cultural elements of the north and northeast regions of Iran.

The most important part of Turkmen music is the collection of works that are sung and played by the Bakhshis.

The patriotic song “Ey Iran Ey Marz-e Porgohar” was composed and sung while Iran was under the occupation of the Allied Forces and was going through bitter days.

Balaban can be considered one of the most important wind instruments of Azari music, which is widely used in individual and group performances.

Miniature painting, considered one of the diverse branches of visual arts, is an authentic and captivating art form that combines delicate, imaginative, and finely detailed illustrations with both decorative and functional qualities

Darvish ʿAbdolmajid Taleqani was the most prominent calligrapher of the Shekasteh-Nastaliq style in 12th-century Iran, and many calligraphy scholars consider him the greatest master in the history of this script.

Mahmoud Farshchian is a highly skilled and internationally renowned Iranian artist, recognized as a master of Persian miniature painting. His innovative and conceptually rich works, created over the course of his prolific artistic career, have earned him widespread admiration and respect among art scholars and enthusiasts worldwide.

Persian calligraphy or Iranian calligraphy is one of the most revered arts of Iran, which has gradually evolved and many calligraphers have contributed to different genres of this art. Nastaliq is an outstanding genre of Persian calligraphy that has come to be known as the most beautiful human calligraphy.

Mir Ali Tabrizi, one of the greatest Iranian calligraphers of the Timurid era, in the 9th century AH, for the first time, was able to establish the principles and rules governing calligraphy in the Nastaʿlīq style and bring order to it.

Mir Emad Hassani Seifi Qazvini was one of the most celebrated calligraphers in the history of Iranian art during the Safavid era, whose fame extended far beyond the borders of Iran. Through his exceptional mastery and artistic brilliance, he elevated the Nastaʿlīq script to such perfection that many scholars of Islamic calligraphy came to describe it as the bride of calligraphic scripts.

Due to the importance given to ethics and its significance in politics, Ibn Miskawayh holds a noticeable position in the history of Islamic thought. He belongs to a tradition that considers special weight for reason and wisdom.

Ferdowsi is celebrated as a guardian of national identity and culture by the people of Iran

Kelileh va Demneh, “Tajnameh of Anushirvan”, “Ayinnameh Ahd Sassani”, “Kitab-e Mazdak, and Kitab al-Taj” are some of the books that Ibn Muqaffa’ has translated from Middle Persian to Arabic introducing the Iranian Culture to the Arab world.

Unlike other historians, Abul-Fadhl Bayhaqi did not fear criticizing the rulers, and was brave enough not to bow down to them.

What has been behind by Shahriyar as his heritage is just love and love and love!

Rakhshandeh Etesami, popularly known as Parvin Etesami, one of the most famous contemporary Iranian poets, who has been described as “the most famous female poet of Iran was born in the city of Tabriz on March 17, 1906 CE.

Golabgiri is an interesting ancient ceremony of Iran - as the birthplace of rosewater production in the world - dating back to about one thousand years ago.

The last day of the Nowruz celebrations, which takes place on the 13th day of the month of Farvardin (the first month of the Iranian calendar) is called “Sizdah Be-dar” or “Nature’s Day” by the people of Iran.

(Community iftars and Community prayers) Ramadan, also spelled Ramazan, Ramzan, Ramadhan or Ramathan, is the ninth month of the Islamic calendar, observed by Muslims worldwide as a month of fasting, prayer, reflection and community

Chavush-Khani is the practice of reciting religious poems in a clear and melodic voice in praise of the Prophet (PBUH) and his family, ahead of pilgrims.

Although the Azari language is presently spoken in most regions of the Azarbaijan provinces of Iran, the Tati language was widely spoken in some of these regions in the past, and it is still spoken in the Karingan or Keringan Village of East Azarbaijan Province.

In the harvest ceremony of Saqay village, the people of the village gather together and socialize before starting the harvest the next day.

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates