“I Want to Live” is a romance-family serial. Homa Haghi and her fiancé, Nader, spend some hours together in the street. Homa and her family are getting prepared to celebrate her father’s birthday to surprise him but a few minutes after her father’s arrival, something happens, and…

Mr. Hamidreza Azizian is an expert in producing solar panels. With the cooperation of local people, he tries to compen-sate the lack of water and electricity, using solar energy panels in Sistan and Baluchistan province.

“Pate, an Intangible Heritage” is a documentary exploring the rich history and cultural significance of Pate, a type of hand-woven handicraft of Iran, which is used as table cover. The film takes the viewers on a journey through the central and southeastern regions of Iran, where Pate is considered an intangible heritage. Through interviews with artisans and experts, the viewers learn about the complicated techniques used to create Pate and the role of this handicraft in Iranian society. The film also sheds light on the challenges faced by those who work to preserve this tradition and the importance of passing it down to future generations.

The storyline of "Column 14" revolves around Sanaz and Yashar, a brother and sister from a privileged background, who recklessly gamble with people's lives, resulting in a devastating outcome.

This documentary is about the life and works of Ahmad Samii Gilani, one of the prominent Iranian translators and editors.

Little Geniuses” is a 3D animated series that champions the inventive potential of children. Through thrilling adventures, the show’s young heroes use creativity and critical thinking to solve problems in art, technology, and everyday life—proving that big ideas come in small packages! Designed to inspire joy and intellectual curiosity, the series blends humor, heart, and hands-on learning, empowering kids to see themselves as changemakers. Little Geniuses

The Moshir al Molk Caravanserai was more than just a roadside rest stop. it was a complete commercial and lodging complex. In addition to shops and stables the caravanserai included spaces for storing goods trade offices and even a small mosque where merchants and travelers could perform their prayers. This combination of functions transformed the caravanserai into a commercial hub along the Bushehr Shiraz trade route.

What comes to mind when you hear the word bathhouse? Most likely, you imagine a tiled room with warm water, steam, and soap. Yet the traditional bathhouses of Iran were something far more profound. They were not merely places for cleansing the body, but social institutions with unwritten rules, sophisticated architecture, and customs that accompanied people throughout every stage of life—from childhood to old age. Visiting the bathhouse was not an occasional leisure activity, it was an integral part of the rhythm of weekly life.

To understand Qeysarieh Bazaar, one must first understand Naqsh e Jahan Square as the beating heart of an empire. Built in the early seventeenth century by order of the Safavid Shah Abbas I, the square was a vast and unique multifunctional space that brought together political power, represented by Ali Qapu Palace religious power, represented by the Imam Mosque economic power, represented by Qeysarieh Bazaar. and social life, represented by the public square itself, within a single, harmonious, and magnificent spatial composition.

The architecture of Bushehr is, above all, a testament to practical wisdom and creative adaptation. These buildings demonstrate how people, without complex technology and by relying on a deep understanding of environmental physics and the intelligent use of local materials, could not only survive in the harshest climatic conditions but also live with comfort and beauty. In a world now facing the challenges of energy consumption and global warming, this architectural heritage offers profound and timely lessons in sustainability, resource efficiency, and coexistence with nature. Bushehr reminds us that sometimes the greatest advances lie in the simplest and most harmonious solutions.

The experience of the Tabatabaei House begins with a masterful spatial deception. From the narrow, unassuming, and dimly lit alleyway of the Sultan Amir Ahmad neighborhood, you enter a small, simple, and understated hashti, or vestibule. There is no hint in this modest entrance of the grandeur and breathtaking beauty concealed within the house. This outward humility is a fundamental principle of traditional Iranian residential architecture a house should remain hidden from the eyes of strangers and passersby, should not flaunt its wealth and grandeur, and should reveal its secrets only to invited guests and those familiar with the household.

What makes the Jameh Mosque of Isfahan unforgettable and deeply instructive for today s audience whether architects, historians, or travelers is its simultaneous continuity and change. The building is a manifesto against the idea of architecture as something finished, complete, and untouched. The Jameh Mosque shows that an architectural masterpiece does not necessarily have to be the product of a particular golden age or the work of a single genius. It can instead emerge from a collective dialogue, gradual evolution, and shared creation over the course of centuries.

The purpose of compiling Stories of the Righteous is to explain ethical and educational points in simple language for the young generation of society.

The West aggressively promotes the notion of religious pluralism, but is this narrative truly perfect and free of flaws?

A study of the lives of the Imams examines the approach of the Imams (peace be upon them) in dealing with the issue of the caliphate and government.

The topic of religion and politics has always been a challenge for thinkers. Religious democracy tries to provide an answer to this challenge.

Islam’s response to fundamental philosophical questions can provide a precise path to understanding its essence.

The image of Islam and human rights from the perspective of Islam that has been portrayed in the minds of the world’s people through the media has many flaws.

Belur is a simple musical instrument playing which does not require much training and, therefore, it is very popular among the Lak people.

Radif in Iranian music is one of Iran’s intangible cultural heritages, which was inscribed in the UNESCO List of intangible world heritage in October 2009.

Bakhshu Khwani is a style of eulogy that Jahanbakhsh Kurdizade performed with his special musical technique and sad tone.

Dutar, the art of making and playing which has been inscribed on the UNESCO List of World Intangible Heritage, is one of the cultural elements of the north and northeast regions of Iran.

Balaban can be considered one of the most important wind instruments of Azari music, which is widely used in individual and group performances.

Azari music is an important part of the culture of the Azari-speaking people of Iran, which has evolved throughout history.

Reza Abbasi was a highly skilled and innovative artist, widely renowned during the Safavid period, whose outstanding works played a pivotal role in the development of Iranian art. His artistic innovations—particularly in composition, color, and subject matter—brought about a profound transformation in Persian painting. Abbasi’s pioneering approach laid the foundation for the Isfahan School of painting in the early 11th century AH, establishing a new visual language that combined traditional Persian techniques with innovative stylistic elements. Through his works, he elevated the aesthetic standards of miniature painting and inspired generations of artists in the Safavid and subsequent periods.

Design is one of the various branches of visual arts and is considered one of the oldest methods of communication among humans, often executed with simple tools and through lines. The word “design” literally means “planning” or “drafting”, but in a specialized sense, it refers to recreating tangible images or visualizing mental concepts.

Mirza Gholamreza Esfahani, a renowned calligrapher of the Qajar era, is considered a distinguished figure in the history of Iranian calligraphy, having produced first-rate works in various scripts.

Mohammad Ghaffari, known as Kamal-ol-Molk, is regarded as a renowned and highly skilled painter in the history of contemporary Iranian art, who, through his works, initiated a major historical break from tradition, bringing an end to the two-century-long fusion of Iranian and European styles along with European naturalism. His unique style and method served for many years as a singular model for Iranian painters, and his profound influence continues to shape the work of subsequent generations of artists.

Calligraphy is the art of beautifying letters and words based on established principles and rules. In general terms, this art means writing beautifully and having elegant handwriting. In other words, calligraphy involves attention to the visual aspect and adherence to aesthetic principles and rules when writing letters and words.

Persian calligraphy or Iranian calligraphy is one of the most revered arts of Iran, which has gradually evolved and many calligraphers have contributed to different genres of this art. Nastaliq is an outstanding genre of Persian calligraphy that has come to be known as the most beautiful human calligraphy.

Al-Biruni is said to be one of the greatest and most influential scientists of the 10th and 11th century CE.

Zakariya al-Razi can be referred to as one of the most renowned physicians in the history of Iran in whose honor a number of laboratories, medical centers, and universities have been named “Razi”.

Kamaloddin Behzad, the greatest and most famous Iranian miniature painter was born in Herat in the year 1455 CE. The exact dates of his birth and death are not known.

a famous Iranian wrestler was born in a moderate and religious family in the Khaniabad neighborhood of Tehran on August 27, 1930.

Najaf Daryabandari was a great Iranian translator who left behind many translation works from English to Persian.

Mirza Mohammad Taghi Khan Farahani, popularly known as Amir Kabir

The Sangsari Tribe of Iran engages in a nomadic migratory lifestyle in the north and northeast regions of Iran

The customs and traditions practiced during festivals reflect the culture and civilization of different nations

Nowruz is the ancient festivity of Iranians during which special customs are observed for celebrating it in different parts of Iran. Takam Gardani is a folklore custom that the people of Iran’s Azarbaijan perform to welcome Nowruz.

Golabgiri is a traditional ceremony held annually in 14 provinces of Iran, mainly from early Ordibehesht to late Khordad

The people of Shiraz highly honor and respect the “Seville Orange Tree” and observe certain special customs in handling it.

The carpet-washing ceremony of the Fin region of Kashan county and Khaveh Ardahal village in “Mashhad-e Ardahal” is one of the ancient mourning ceremonies of this region, which is held on the second Friday of autumn every year, commonly known as the “Carpet Friday”, to commemorate the anniversary of the martyrdom of Sultan Ali ibn Imam Mohammad Baqir (as).

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates