Naeem is released after 15 years of imprisonment and goes to visit his daughter who gets kidnapped during a trip to the northern part of Iran. Naeem, who is not satisfied with the efforts of the police, is forced to find the kidnappers of his daughter with the help of his friends, Reza and Sadra.

Soso is a 7 years old motor cycle who has to move to a little city named Kalachtappe with his family. They have to live in the village of grandpa. At first, he doesn’t like living there but little by little he loves the village and experiences new adventures with his new friends.

This inspiring TV series depicts the tireless efforts of Iranian medical scientists in their quest to find a cure for COVID-19. Despite numerous obstacles, including personal and professional challenges, the scientists remain determined to succeed. The series follows their journey to Africa, where they encounter setbacks and biased reactions from those seeking to prevent Iran’s success.

Mohammad is commissioned to investigate an expansive spy network and faces a lot of problems from someone called Michael, who is one of America’s top spies who engages in espionage under the guise of a reporter. This serial, which is based on a real case, depicts a cat-and-mouse game between two competitors who try to outdo each other with their intelligence and skills.

An animation series that explores the importance of teamwork through the adventures of a group of lovable forest creatures. The families of the Hazelnut Forest, who may seem different from each other, come together to support and care for each other. This animation promotes positive values and teaches children the importance of accepting differences.

Mr. Hamidreza Azizian is an expert in producing solar panels. With the cooperation of local people, he tries to compen-sate the lack of water and electricity, using solar energy panels in Sistan and Baluchistan province.

Persian mosques are among the defining expressions of Iranian architecture, not merely for their domes, minarets, or dazzling tilework, but because they have always been woven into the lives of the people. Markets came and went, bathhouses flourished and faded, caravanserais rose and disappeared. But the mosque was always something more. It was a place where people came to find silence, to pray, to weep, or sometimes to raise their voices. Its stone floors have borne the footsteps of every walk of life, from kings to beggars. Perhaps that is the simplest way to describe it: The mosque is Iran in miniature.

Its romantic origin story reminds us that some of the greatest architectural masterpieces are born not merely from power and wealth, but from love, healthy rivalry, and deeply human motivations. With all its grandeur, symmetry, and refinement, Borujerdi House stands as a symbol of how architecture can become a physical embodiment of love: love for the beloved, love for art, and love for creation.

You will not easily find the Iranian architect in the history books. Not because such architects did not exist or lacked importance, but because they did not seek recognition for their names. Their anonymity was not imposed upon them, it was a choice. Their professional training and ethos taught them that their work was for God and for the people, not for fame or fortune. But let me make one thing clear, the Iranian architect was a genius. Not merely a skilled craftsman or an accomplished builder, but a creative mind capable of solving complex problems. The work may have been collective, but without those exceptional minds, that collective effort would never have achieved what it did.

Zinat al Moluk House is a place for living, characterized by its garden like entrance and landscaped forecourt instead of enclosed vestibules, its human scale and intimate spatial character rather than grandeur and formal ceremonial design and its successful and creative adaptive reuse of historic buildings.

To understand the grandeur and ingenuity of the Six-Windcatcher Water Reservoir, we must first imagine how a city like Yazd, situated in one of the driest and hottest climates in the world, managed to provide water for thousands of its inhabitants. Yazd receives barely 60 millimeters of rainfall a year, while summer temperatures can exceed 45 C. In such a city, water was not merely a commodity for everyday use it was the very source of life and one of the most valuable assets. Water reservoirs were the beating heart of Yazd s water supply system, and the Six Windcatcher Water Reservoir was its shining jewel.

In the heart of the Dasht-e Kavir, along the ancient route connecting Qom, Varamin, and Rey, stands a remarkable structure that many architectural historians have called the “mother of Iran’s caravanserais.” The Deyr-e Gachin Caravanserai dates back to the Sasanian era and was rebuilt and restored during the Seljuk, Safavid, and Qajar periods, making it one of the oldest and most significant surviving caravanserais in Iran. Inscribed as part of the “Persian Caravanserai” serial property on the UNESCO World Heritage List, it was far more than a roadside inn. It was a true fortified caravanserai, whose stone and brick walls bear witness to centuries of trade, travel, pilgrimage, and cultural exchange.

The West aggressively promotes the notion of religious pluralism, but is this narrative truly perfect and free of flaws?

History is a subject in whose analysis impartiality comes first, a perspective that has been well implemented in Analytical History of Islam.

The topic of religion and politics has always been a challenge for thinkers. Religious democracy tries to provide an answer to this challenge.

The contemporary history of Iran has many ups and downs, and Al-Montakhab min Tarikh Iran (The Selection from the History of Iran) is an attempt to provide an overview of these ups and downs.

So far, many studies have been conducted on the rich Persian culture and literature, among which History of Persian Literature is one of the most prominent.

In ancient Persian literary works, there are many references to an instrument called “Robab”, which seems to have been a favorite of Persian literary personalities.

Tar (Persian: تار) is an Iranian[1][2][3][4] long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan ( Iranian Plateau) and others near the Caucasus and Central Asia regions.

A percussion instrument, which was used to announce important events in the past but has multiple uses today.

Belur is a simple musical instrument playing which does not require much training and, therefore, it is very popular among the Lak people.

Dutar, the art of making and playing which has been inscribed on the UNESCO List of World Intangible Heritage, is one of the cultural elements of the north and northeast regions of Iran.

The most important part of Turkmen music is the collection of works that are sung and played by the Bakhshis.

The art of illustration, or “tasvirsazi,” is considered one of the diverse branches of visual arts. This art involves establishing a connection between text and image, which together can convey one or more specific messages to the audience.

Photography is one of the various branches of visual arts and is the art of creating lasting images through light or other forms of electromagnetic radiation on light-sensitive materials.

Seyed Mohammad Ehsai is a renowned and accomplished figure in contemporary Iranian visual arts and is regarded as one of the pioneers of Naqqashi-Khat (calligraphic painting) in the country. Through his distinctive body of work in this field, he has gained international recognition and acclaim among art enthusiasts. One of the main reasons for Ehsai’s prominence lies in his pivotal role in establishing calligraphic painting in Iran. He was among the first artists to employ letters as a medium for personal artistic expression.

Graphic design is recognized as a branch of the visual arts and involves the careful selection and arrangement of visual elements, including images, text, symbols, and colors, to create a composition that communicates a specific message to viewers

Ibn Muqla is considered one of the most influential figures in the illustrious realm of Iranian calligraphy. Through his unparalleled dedication and creativity, he was able to develop and perfect the six canonical scripts—Muḥaqqaq, Rayḥān, Thuluth, Naskh, Ruqʿah, and Tawqiʿ—thereby leaving a lasting legacy for this quintessentially Iranian-Islamic art.

Mahmoud Farshchian is a highly skilled and internationally renowned Iranian artist, recognized as a master of Persian miniature painting. His innovative and conceptually rich works, created over the course of his prolific artistic career, have earned him widespread admiration and respect among art scholars and enthusiasts worldwide.

Vahshi Bafaqi has been described as a man of piety, high aspiration, and asceticism.

Ibn Bawab has written 64 copies of the Holy Quran. The full version of the Quran scripted by him is in the Chester Beatty Library of Ireland.

Hafez’s poems are a display of the beauty of the Persian language

Farid Javaherkalam translated many works in the fields of literature, history, and psychology into the Persian language during more than 70 years of activity

Agha Bozorg Tehrani’s “Shia Bibliographic Encyclopedia” duly responds to an author’s remarks about the role of Shia in the history of Islam.

Hamzeh Ilkhanizadeh is a well-known name among those interested in polo, which is as an authentic Iranian sport

The people of Maragheh mourn the martyrdom of Imam Hussain (AS) in the “Allah Allah Husina Veina” ceremony they hold on the morning of Ashura by wearing the attire of the Hajj pilgrims.

There are three major national festivals (religious festivals not included) being celebrated nationwide every year. These festivals have their roots in Iranian customs and ancient culture and are celebrated over the centuries. There is a common concept among all these festivals: emphasizing the value of the family and friendship.

Sizdah Bedar is the thirteenth day of Farvardin and one of the Nowruz celebrations of Iran. In the official calendars of Iran, after the revolution, this day has been named Nature Day and is an official holiday.

“Yalda”, which is of Syriac origin and means rebirth, is the name that Iranians have given to the longest night of the year and the last night of autumn, and they have been honoring it since eight thousand years ago.

Nowruz (literally translated New Day) is one of the oldest celebrations in ancient Persia, which is held vigorously in the first day of spring marking the beginning of the Iranian calendar (21 March).

The festival of Pir Shalyar is a traditional ceremony, which is the symbol of empathy among the Kurdish people of Iran.

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates