The memories of Seyyed Ahmad Nabavi and his wife based on the letters they sent to each other during the Iran-Iraq war (1980-1988 AD), which speak of less-heard emotional moments in the atmosphere of war and the sacrifice made by the wives of the combatants.

This feature film depicts the story of an ailing boy by the name of Isa who loves football. The hospital staff is trying hard to make it possible for Isa to fulfill his wish before undergoing the last surgery. Isa’s father, who is unable to face his cancer-ridden son, makes a request to the management of the hospital, dresses as a clown, and performs a show for the hospitalized children to be with his son anonymously.

Mohammad, the hardworking student of the class, does not allow Bijan to cheat by looking at his answer sheet in one of their exams and because of this, he is threatened by Bijan; a boy who, despite being successful in Taekwondo, has problems in his studies and, therfore, is not encouraged by the teachers and the principal. In the meantime, Amir - another character in this movie - extends help to Muhammad and certain events happen that connect the fate of Muhammad, Amir, and Bijan together.

Golden Ages” is the name of a nursing home where many old people are living. Our main characters gather together and decide to move their life far away to The nursing home routine and feel like childhood. On the other hand nurses in the nursing home try to keep them in routine life ... So the war Begins.

Hamed is an ambitious boy from a relatively low-income family who resorts to anything possible to have a better life and in the bargain loses the entire belongings of his family. But, all of a sudden a simple incident takes place that changes his life and financial status following which he begins to think of leaving his cousin, Maryam, and marrying Parinaz.

Nikan is a teenage girl who finds herself in a difficult situation when her father disappears, leaving behind a trail of debts due to his involvement in smuggling drugs and other things. With her mother in prison, Nikan decides to start a business to support her family. Despite facing numerous challenges and obstacles, she perseveres and navigates through the dangerous world of drug dealers and smugglers. Along the way, she discovers her father’s shady dealings and finds herself in a network of lies, deceit, and cheating, she becomes determined to find a way to protect her family with the help of her closest friends.

Persian mosques are among the defining expressions of Iranian architecture, not merely for their domes, minarets, or dazzling tilework, but because they have always been woven into the lives of the people. Markets came and went, bathhouses flourished and faded, caravanserais rose and disappeared. But the mosque was always something more. It was a place where people came to find silence, to pray, to weep, or sometimes to raise their voices. Its stone floors have borne the footsteps of every walk of life, from kings to beggars. Perhaps that is the simplest way to describe it: The mosque is Iran in miniature.

Ghaffarieh building is located northwest of Maragheh, next to the Safi Chay River. The history of its construction can be placed between the 725-728 years of the lunar Hegira.

Yazd is a story of a magnificent paradox: how did a civilization flourish and create remarkable monuments in one of the harshest climates on Earth—where annual rainfall barely exceeds 60 millimeters and summer temperatures rise above 45 degrees Celsius?

The 10th century cylindrical tower of Qabus is in the city of Jorjan, Golestan Province, by the order of Kavus, to be used as a mausoleum.

In the southeastern Iranian plateau, on the edge of the scorching Lut Desert and at the foot of towering mountains, lies a city that has shone like a jewel in the heart of the desert for centuries. Kerman, this ancient and resilient city, with a history reaching back to the Achaemenid period and even to Iranian mythology, is one of Iran’s most important yet relatively overlooked centers of civilization. Kerman can be described as the “City of Windcatchers and Desert Gardens”—a city where architecture evolved not to fight against the harshness of nature, but to coexist with it in a peaceful and intelligent way. Here, soaring windcatchers blend with lush, paradise-like gardens, offering a remarkable story of the ingenuity, patience, and creativity of the people who have made their home in the desert.

To understand Qeysarieh Bazaar, one must first understand Naqsh e Jahan Square as the beating heart of an empire. Built in the early seventeenth century by order of the Safavid Shah Abbas I, the square was a vast and unique multifunctional space that brought together political power, represented by Ali Qapu Palace religious power, represented by the Imam Mosque economic power, represented by Qeysarieh Bazaar. and social life, represented by the public square itself, within a single, harmonious, and magnificent spatial composition.

The topic of religion and politics has always been a challenge for thinkers. Religious democracy tries to provide an answer to this challenge.

Phoenix the Conqueror tells the story of a martyred student.

The book Sages of the Isfahan School and a Study of the Creation of the World ex Nihilo is one of Dr. Nazari Tavakkoli’s well known books.

The contemporary history of Iran has many ups and downs, and Al-Montakhab min Tarikh Iran (The Selection from the History of Iran) is an attempt to provide an overview of these ups and downs.

Nahj al-Balagha stands as one of the greatest works in the Islamic world, and A Journey Through Nahj al-Balagha is intended as a concise guide to its vast landscape

Endowment Deeds of Rab’-e Rashidi is a 700-year-old document (book) consisting of an extensive list of endowments and how the income from them was spent to support scientific activities.

Tar (Persian: تار) is an Iranian[1][2][3][4] long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan ( Iranian Plateau) and others near the Caucasus and Central Asia regions.

Kurdistan is a land with special customs and traditions, where special instruments are used to play music, especially in celebrations.

Radif in Iranian music is one of Iran’s intangible cultural heritages, which was inscribed in the UNESCO List of intangible world heritage in October 2009.

Azari music is an important part of the culture of the Azari-speaking people of Iran, which has evolved throughout history.

Dutar, the art of making and playing which has been inscribed on the UNESCO List of World Intangible Heritage, is one of the cultural elements of the north and northeast regions of Iran.

The history of Daf goes back to ancient times when it was played in old Persia, different parts of Asia & North Africa

Darvish ʿAbdolmajid Taleqani was the most prominent calligrapher of the Shekasteh-Nastaliq style in 12th-century Iran, and many calligraphy scholars consider him the greatest master in the history of this script.

Pottery and ceramics constitute important branches of the visual arts. Pottery, one of the earliest ceramic products, is made of a porous and colored body.

Graphic design is recognized as a branch of the visual arts and involves the careful selection and arrangement of visual elements, including images, text, symbols, and colors, to create a composition that communicates a specific message to viewers

Master Gholamhossein Amirkhani is considered one of the enduring figures of Iranian calligraphy in the Nasta‘liq style and the most renowned contemporary calligrapher, having played a significant role over the past forty years in the development and promotion of this authentic Iranian-Islamic art.

Reza Abbasi was a highly skilled and innovative artist, widely renowned during the Safavid period, whose outstanding works played a pivotal role in the development of Iranian art. His artistic innovations—particularly in composition, color, and subject matter—brought about a profound transformation in Persian painting. Abbasi’s pioneering approach laid the foundation for the Isfahan School of painting in the early 11th century AH, establishing a new visual language that combined traditional Persian techniques with innovative stylistic elements. Through his works, he elevated the aesthetic standards of miniature painting and inspired generations of artists in the Safavid and subsequent periods.

Mohammad Ghaffari, known as Kamal-ol-Molk, is regarded as a renowned and highly skilled painter in the history of contemporary Iranian art, who, through his works, initiated a major historical break from tradition, bringing an end to the two-century-long fusion of Iranian and European styles along with European naturalism. His unique style and method served for many years as a singular model for Iranian painters, and his profound influence continues to shape the work of subsequent generations of artists.

Ibn Bawab has written 64 copies of the Holy Quran. The full version of the Quran scripted by him is in the Chester Beatty Library of Ireland.

Vahshi Bafaqi has been described as a man of piety, high aspiration, and asceticism.

Abu Nasr Muhammad al-Farabi was one the earliest Islamic intellectuals who was instrumental in transmitting the doctrines of Plato and Aristotle to the Muslim world. He had a considerable influence on the later Islamic philosophers such as Avicenna.

Rakhshandeh Etesami, popularly known as Parvin Etesami, one of the most famous contemporary Iranian poets, who has been described as “the most famous female poet of Iran was born in the city of Tabriz on March 17, 1906 CE.

Mirdamad’s major contribution to Islamic philosophy was his novel formulation regarding gradations of time and the emanations of the separate categories of time as descending divine hypostases. He resolved the controversy of the createdness or uncreatedness of the world in time by proposing the notion of “Hhuduth-e Dahri” (Atemporal origination).

Jabbar Baghtcheban established the first Iranian kindergarten and school for deaf children in Iran.

The traditional attire of the people of East Azarbaijan people of Iran is the manifestation of various aspects of the culture of the nomads and rural people of this province

Arasbaran nomads have had an active role in the history of Iran and are known as the original tribes of the Azarbaijan region.

Although the Azari language is presently spoken in most regions of the Azarbaijan provinces of Iran, the Tati language was widely spoken in some of these regions in the past, and it is still spoken in the Karingan or Keringan Village of East Azarbaijan Province.

The pottery-breaking ceremony of Qaen is held on the verge of the end of the year and the arrival of the new year a ceremony in which many symbols are seen.

The Epic of Koroghlu is the story of the struggles of a young boy by the name of “Roshan” against the tyrannical ruler of his time, which, according to experts, is rooted in a real event.

The custom of singing religious poems in a loud and melodious voice in praise of the Prophet of Islam (pbuh) and his family in front of pilgrims in the course of their pilgrimage.

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates