A boy is born with disabilities in both feet and fingers of his right hand. Despite having all of his physical disabilities, he turns to mountaineering and meets a person in a mountaineering program who changes his life path.

"The Orange Forest" is the story of a failed playwright who has just become a high school teacher. The students and the principal of the school are not satisfied with his behavior. In the course of a journey, he encounters an image from his past.

Does Jahanbakhsh Keramat’s secret reveal? This secret will dishevel the sleep of Chista, Mahrou, Goudarz, Bahram, Jahangir, and Major Poshias. Jahanbakhsh goes on a long trip to prove his innocence and to bring calm back. A trip at its end changes the life of a lot of them.

The story of three young men by the names of Habib, Maziar, and Masoud, who, in spite of having a bachelor’s degree, have not been able to find a suitable job or get married and, therefore, decide to continue their education and get a master’s degree. After achieving this goal, they still face problems. Habib falls in love again, but due to his weakness in establishing social relations, he cannot manage this issue. Maziar and Masoud, who still cannot meet their living expenses, regularly borrow money from their rich friend, Habib.

“Pate, an Intangible Heritage” is a documentary exploring the rich history and cultural significance of Pate, a type of hand-woven handicraft of Iran, which is used as table cover. The film takes the viewers on a journey through the central and southeastern regions of Iran, where Pate is considered an intangible heritage. Through interviews with artisans and experts, the viewers learn about the complicated techniques used to create Pate and the role of this handicraft in Iranian society. The film also sheds light on the challenges faced by those who work to preserve this tradition and the importance of passing it down to future generations.

The story of a rich and influential family by the name of Kamrava. Kamran Kamrava, his wife, Jaleh, and their son live a wealthy and luxurious life. They are so immersed in wealth and prosperity that they do not have the slightest understanding of the life and conditions of other classes of their society, especially the lowest one! But all of a sudden a shocking incident takes place and shatters their happy and joyful life.

The unique and unparalleled feature of the Ameriha House, which sets it apart from all other historic houses in Iran, is the number and diversity of its courtyards. The house consists of seven independent and self-sufficient courtyards, each belonging to a different branch of the extended Ameri family and serving a distinct function.

Si-o-se Pol, a symphony of arches, still stands over the Zayandeh Rud River—even on the driest days—whispering tales of the grandeur, tolerance, and ingenuity of the Safavid civilization. More than a relic of the past, this bridge offers a profound lesson for the future of architecture and urban planning in Iran and around the world.

Shazdeh Garden has been transformed into an earthly paradise through its creation of visual contrast and drama, gravity-powered hydraulic engineering and water distribution, landscape design and planting systems on sloping terrain, and the central role of water in its design. The garden demonstrates how, even in one of the world’s driest climates, the thoughtful use of water, land gradients, and vegetation can create a space that nourishes not only the eyes but also the human soul.

This museum was established within the vicinity of the Salmasi House in the year 2001 CE. The Salmasi House had been built in the year 1381 AH/1961 CE within an area of 650 sq. meters and on two floors the total area of which stands at 875 sq. meters.

Zinat al Moluk House is a place for living, characterized by its garden like entrance and landscaped forecourt instead of enclosed vestibules, its human scale and intimate spatial character rather than grandeur and formal ceremonial design and its successful and creative adaptive reuse of historic buildings.

If you look at an Iranian city from above, it looks almost like a living organism. Not like modern cities, with their grid-like streets and orderly towers. The old cities of Iran are winding and intricate, with crooked alleys and a dense, interconnected urban fabric. From above, all you see are flat rooftops, domes, windcatchers, and minarets. But once you enter on foot, you begin to understand that this complexity is not accidental. Every alley, every dead end, every little square had a place in the lives of the people who lived there.

Endowment Deeds of Rab’-e Rashidi is a 700-year-old document (book) consisting of an extensive list of endowments and how the income from them was spent to support scientific activities.

The contemporary history of Iran has many ups and downs, and Al-Montakhab min Tarikh Iran (The Selection from the History of Iran) is an attempt to provide an overview of these ups and downs.

Prominent Persian poet from Iran, famous for his prose in Gulistan and verse in Bustan.

The purpose of compiling Stories of the Righteous is to explain ethical and educational points in simple language for the young generation of society.

Islam’s response to fundamental philosophical questions can provide a precise path to understanding its essence.

The Bakhtiari community of Iran reflects the difficulties of nomadic life in their music.

Radif (lit. order) in Iranian music is its identity: an identity that because of its importance, has been inscribed on the UNESCO List of World’s Intangible Heritage

By knowing the evolution of Iranian music, one can get to know more about the Iranian nation and its culture.

Tonbak, sometimes written as Tombak is one of the most known and popular Persian musical instruments in Iran

Tar (Persian: تار) is an Iranian[1][2][3][4] long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan ( Iranian Plateau) and others near the Caucasus and Central Asia regions.

The patriotic song “Ey Iran Ey Marz-e Porgohar” was composed and sung while Iran was under the occupation of the Allied Forces and was going through bitter days.

Mirza Gholamreza Esfahani, a renowned calligrapher of the Qajar era, is considered a distinguished figure in the history of Iranian calligraphy, having produced first-rate works in various scripts.

Seyed Mohammad Ehsai is a renowned and accomplished figure in contemporary Iranian visual arts and is regarded as one of the pioneers of Naqqashi-Khat (calligraphic painting) in the country. Through his distinctive body of work in this field, he has gained international recognition and acclaim among art enthusiasts. One of the main reasons for Ehsai’s prominence lies in his pivotal role in establishing calligraphic painting in Iran. He was among the first artists to employ letters as a medium for personal artistic expression.

Miniature painting, considered one of the diverse branches of visual arts, is an authentic and captivating art form that combines delicate, imaginative, and finely detailed illustrations with both decorative and functional qualities

New art media are a relatively recent branch of the visual arts, emerging through the use of fresh language and innovative forms of expression.

Mirza Mohammad Hossein Sifi Qazvini, known as Emad al-Ketab, is considered one of the most prominent figures in the history of Iranian calligraphy in the Nastaʿlīq style and the final link in the golden chain of the old masters of this distinguished Iranian-Islamic art. Living during the Constitutional Revolution era, he used his exceptional talent, abundant creativity, and tireless effort to serve as the connecting point between contemporary calligraphers and the school of Mirza Mohammad Reza Kalleh.

Ibn Muqla is considered one of the most influential figures in the illustrious realm of Iranian calligraphy. Through his unparalleled dedication and creativity, he was able to develop and perfect the six canonical scripts—Muḥaqqaq, Rayḥān, Thuluth, Naskh, Ruqʿah, and Tawqiʿ—thereby leaving a lasting legacy for this quintessentially Iranian-Islamic art.

Rudaki was a one of those great Iranian personalities, to whom Persian language owes an important part of its history.

Sheikh Sadouq believed that in order to know God, man needs divine inspiration or divine proof. He emphasized that reason cannot know God and discover religious knowledge in the absence of revelation.

Mohammad Ghaffari , popularly known as Kamal al-Molk, was an Iranian painter and artist from the city of Kashan. Kamal-ol-Molk was one of the most famous and influential personalities in the history of Iranian art.

Ferdowsi is celebrated as a guardian of national identity and culture by the people of Iran

Ali Akbar Dehkhoda, a great Iranian literary personality, journalist, satirist, member of the National Assembly, university professor, linguist, lexicographer, and poet - who has come to be widely known for his masterpiece “Persian to Persian Dictionary”, was born in Tehran on February 24, 1880.

By writing the books Badayeh al Hikmah and Nahayah alHikmah, Allameh Tabatabai opened a new phase for Islamic philosophy.

The Epic of Koroghlu is the story of the struggles of a young boy by the name of “Roshan” against the tyrannical ruler of his time, which, according to experts, is rooted in a real event.

Vassunak is a traditional folklore song in the Fars Province of Iran, the content of which is composed of short common lyrics and is usually sung at weddings.

The carpet-washing ceremony of the Fin region of Kashan county and Khaveh Ardahal village in “Mashhad-e Ardahal” is one of the ancient mourning ceremonies of this region, which is held on the second Friday of autumn every year, commonly known as the “Carpet Friday”, to commemorate the anniversary of the martyrdom of Sultan Ali ibn Imam Mohammad Baqir (as).

The people of Maragheh mourn the martyrdom of Imam Hussain (AS) in the “Allah Allah Husina Veina” ceremony they hold on the morning of Ashura by wearing the attire of the Hajj pilgrims.

The traditional clothing of East Azerbaijan reflects various aspects of the culture of the nomads and villagers of this province.

Having a history of eight thousand years the Azari dance includes certain spiritual and religious aspects.

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates