Shirin, a young woman from a wealthy family, is studying literature and humanities at university. She collaborates with the Institute for the Intellectual Development of Children and Young Adults as a book cover designer and illustrator. Her mother is not in the picture , but her father, is deeply devoted to her. On the other hand, Amir comes from a working-class, traditional family and works at a printing house that handles the institute’s publications. The moment he sees Shirin in person,when she visits the print shop to request a reprint of her friend’s book cover.he falls for her instantly. From that moment on, he is determined to pursue his love

A young translator discovers new paths in his work, going through which makes him discover a family secret that casts a shadow on his life and the future life of his family. A shadow that can even threaten the peace in a city.

“Them” is a scary and very exciting mini-series that takes the viewers to a mysterious world. Each part of this serial portrays an independent story in a different space, but there is an ambiguous aspect in all these stories; a spot in the dark, from where “they” are watching us.

The peaceful life of the Rabbani family members undergoes changes with the unwanted entry of a snake, the discovery of an exquisite manuscript, and a mysterious hole…

Narrating the memories of a boy named “Kamal” in the 1960s, this series can convey such moral messages as the sense of responsibility, etc. to children and teenagers.

This documentary is about the life of the great contemporary Iranian scholar and literary and cultural personality, Mohammad Ali Eslami Nodooshan, and his impact on the lives of the people of Iran, especially his native village of Nadoshan. The documentary includes interviews with Professor Sami’i Gilani and Professor Ismail Azar.

Among all the architectural masterpieces of Iran, there is one that was built not with bricks and tiles, but with water. This masterpiece is the Shushtar Historical Hydraulic System—a vast hydraulic machine from antiquity that, remarkably, has transcended its role as mere technical infrastructure and evolved into a magnificent cultural landscape. Shushtar, in Khuzestan Province, on the Karun River, tells a story of how engineering and architecture, when placed in the service of life and community, can become a form of poetry.

Assef Vaziri House, with its mountain slope architecture adapted to a cold climate, its harmonious fusion of formal and courtly traditions with local materials and craftsmanship,” and the “importance of stone as a primary and enduring building material in the architecture of western Iran,” stands as a manifesto of living. This mansion demonstrates how abundant local materials, such as Zagros stone, can be used to create spaces that are grand and enduring while remaining in harmony with the surrounding nature and culture. With its stone verandas, Mirror Hall, and magnificent bathhouse, Assef House is a symbol of the power, wealth, and refined taste of the governors of Kurdistan, as well as a brilliant fusion of Iranian architecture with the spirit and identity of Kurdish culture.

For contemporary architects, Qadiri House in Rasht offers a comprehensive and inspiring lesson in “climate-responsive design.” It demonstrates how architecture can coexist with nature rather than resist it or impose itself upon it, transforming environmental constraints into aesthetic opportunities and developing intelligent, sustainable solutions in response to climatic challenges.

At the heart of Qazvin s historic urban fabric, once the first capital of the Safavid dynasty, stands a remarkable complex that rightfully bears the title of Iran s largest urban caravanserai. Built in the late Qajar period on the orders of Mohammad-Baqer Khan Sa’d al-Saltaneh, the governor of Qazvin at the time, Sa d al Saltaneh Caravanserai is a vast commercial and accommodation complex covering nearly 26,000 square meters. Far more than a caravanserai, it functioned as a complete commercial city, with covered bazaar passages, timchehs, courtyards, a bathhouse, a mosque, and magnificent chahar-suqs. Still vibrant and active today, the complex is a remarkable example of Qajar era commercial architecture and the thoughtful integration of multiple functions within a single architectural ensemble.

The Moshir al Molk Caravanserai was more than just a roadside rest stop. it was a complete commercial and lodging complex. In addition to shops and stables the caravanserai included spaces for storing goods trade offices and even a small mosque where merchants and travelers could perform their prayers. This combination of functions transformed the caravanserai into a commercial hub along the Bushehr Shiraz trade route.

Caravanserais tell a different story of Iranian architecture. They were not built for kings or monumental mosques, but for anonymous travelers, for camels and merchandise, for roads and commerce. It is an architecture that is often overlooked in history books, yet it may offer lessons that are even more relevant today than many of Iran’s grandest monuments. At a time when the world is once again searching for ways to strengthen connections between cultures and nations, the caravanserai remains a powerful source of inspiration. Even in the age of airplanes and the internet, it reminds us that travel is not merely about reaching a destination—it is also about the journey itself, and the places where people meet along the way.

iranians had the art of art since the ancient time , but the arrival of islam to iran played a special role in strengthening some art such as architecture .

The contemporary history of Iran has many ups and downs, and Al-Montakhab min Tarikh Iran (The Selection from the History of Iran) is an attempt to provide an overview of these ups and downs.

The issue of Palestine and its occupation has plunged the West Asia region into crisis for decades

Prominent Persian poet from Iran, famous for his prose in Gulistan and verse in Bustan.

The topic of religion and politics has always been a challenge for thinkers. Religious democracy tries to provide an answer to this challenge.

Kamanche is an Iranian instrument, similar to violin & bass

Isfahan School of Music has a lofty position in the Iranian classical Music.

Tanbur (Tambour), another Persian musical instrument, is shaped from mulberry wood

Words are incapable of describing Shajarian’s Rabbana. One has to listen to it and hear it in order to fathom the depth of its spirituality!

The most important manifestation of music in the culture of the people of Yazd is reciting elegies in the mourning programs of the month of Muharram

The most important part of Turkmen music is the collection of works that are sung and played by the Bakhshis.

Seyed Mohammad Ehsai is a renowned and accomplished figure in contemporary Iranian visual arts and is regarded as one of the pioneers of Naqqashi-Khat (calligraphic painting) in the country. Through his distinctive body of work in this field, he has gained international recognition and acclaim among art enthusiasts. One of the main reasons for Ehsai’s prominence lies in his pivotal role in establishing calligraphic painting in Iran. He was among the first artists to employ letters as a medium for personal artistic expression.

Photography is one of the various branches of visual arts and is the art of creating lasting images through light or other forms of electromagnetic radiation on light-sensitive materials.

“Abu al-Hasan Ghaffari, known as Sanīʿ al-Molk, is considered one of the foremost painters and miniaturists in Iranian history. His primary expertise lay in realistic portraiture, and he possessed both a creative imagination and a deft hand for depicting real-life events and scenes, leaving behind a legacy of distinguished and enduring works in Iranian visual arts.

Calligraphy is the art of beautifying letters and words based on established principles and rules. In general terms, this art means writing beautifully and having elegant handwriting. In other words, calligraphy involves attention to the visual aspect and adherence to aesthetic principles and rules when writing letters and words.

Caricature is another branch of the visual arts that involves the exaggeration, distortion, and amplification of human, animal, or object features while maintaining a visually recognizable likeness.

Sculpture is a branch of the visual arts in which the artist, inspired by both nature and imagination, shapes a variety of materials such as stone, wood, clay, plaster, metal, glass, wax, or paper. Through the use of hands, tools, and diverse techniques—including addition, subtraction, cutting, and reshaping—the artist creates a tangible, three-dimensional form.

Abu Hamed Mohammad ibn Ahmad Ghazali (1058 - 19 December 1111 CE), the great Iranian scientist, philosopher, theologian, and jurist and one of the greatest men of the great Islamic Sufism, was born in the Iranian city of Tus.

Ali Akbar Dehkhoda, a great Iranian literary personality, journalist, satirist, member of the National Assembly, university professor, linguist, lexicographer, and poet - who has come to be widely known for his masterpiece “Persian to Persian Dictionary”, was born in Tehran on February 24, 1880.

Mirza Mohammad Taghi Khan Farahani, popularly known as Amir Kabir

Abu Mo’in Naser bin Khosrow bin Harith Qubadiani Balkhi, popularly known as Naser Khosrow, one of the great Iranian poets, writers, philosophers, and world travelers, was born in the Qubadian part of Marv in the year 1004 CE.

The renowned Iranian polymath, mathematician, astronomer, philosopher, and poet, Hakim Omar Khayyam, was born in the city of Neyshabur on 18 May 1048 CE.

By writing the book “Asfar al-Arba’a”, Mulla Sadra changed Islamic philosophy.

The poem Heydar Babayeh Salaam, which is popular throughout the Azari-speaking lands, is a great and lasting legacy of Shahriyar, a contemporary Iranian poet.

Saint Thaddeus Monastery - called Qarah Kelisa in the Azari language - is very important for Iranian Armenians and every year a grand ceremony is held in it with the presence of Christians from all over the world.

As a traditional custom the people of Iran plant grains of wheat and/or lentil in pots as a sign of divine blessing and abundance in the New Year (Nowruz), which turn into green sprouts and are placed on the Nowruz table.

The customs and traditions practiced during festivals reflect the culture and civilization of different nations

The story of Asli and Karam is considered to be the greatest oral heritage of the Azarbaijani people, which is narrated by Ashiqs/Ashiks in gatherings and in the form of a folklore song.

The carpet-washing ceremony of the Fin region of Kashan county and Khaveh Ardahal village in “Mashhad-e Ardahal” is one of the ancient mourning ceremonies of this region, which is held on the second Friday of autumn every year, commonly known as the “Carpet Friday”, to commemorate the anniversary of the martyrdom of Sultan Ali ibn Imam Mohammad Baqir (as).

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates