The story of a group of unassuming people who do their best to make the flights a pleasant, peaceful, and comfortable trip for the passengers of the plane.

Synopsis: Simin Roudi has kept a secret from her son for years: she has now decided to save fetuses from being aborted. To that end, she attempts to enlist the help of her son.

A narrative of the life and struggles of Ayatollah Hossein Shahroudi (a Shiite religious scholar) from his birth in Shahroud to his demise in Najaf.

"The Orange Forest" is the story of a failed playwright who has just become a high school teacher. The students and the principal of the school are not satisfied with his behavior. In the course of a journey, he encounters an image from his past.

Synopsis: The issue of this documentary is about the difficult loop in the distribu-tion of the contaminated blood in Iran, the involving case, the following in Iran. The filmmaker is viewing this involving case and gets to the newer dimensions of this issue.

The story of one of the old families of Tehran by the name of Sabouri, who have been in the business of decorative flowers for many years. Their family consists of three brothers and one sister. All of the family members work for the company of their family business except for Fariborz, the second son, who is now 58 years old and is a police officer. In his youth, Fariborz decides to become a policeman and goes to a city to another city to undergo the training course.

This multifunctionality is one of the defining characteristics of Iranian funerary gardens. Unlike many Western mausoleums, which often function primarily as memorial structures, Iranian garden-tombs have traditionally been living and dynamic spaces for community, education, worship, and everyday life. The Mausoleum of Shah Nematollah Vali, through the integration of these functions, suggests that in Iranian culture, death is not necessarily conceived as a tragic ending separate from life, but as part of the broader fabric of everyday and spiritual existence.

Badgir is a passage built on the roof of the building to direct the breeze inside.

For contemporary architects and designers, the new building of the Islamic Consultative Assembly offers an important lesson in “architecture for governance.” It demonstrates how abstract concepts such as “law,” “transparency,” “sustainability,” and “democracy” can be translated into a physical and visual language through the choice of architectural style and materials, as well as spatial organization.

The urban fabric and urbanization process of Semnan is the result of its precise water distribution system. a system that is more than 700 years old

This structure demonstrates how one of humanity’s most complex needs—producing and preserving cold—could be met without relying on fossil fuels or electricity, but solely on indigenous knowledge and locally sourced materials. With its soaring mud-brick dome, the Moayedi Ice House stands as a silent yet powerful testament to the ingenuity, creativity, and sustainability of Iranian architecture.

At the heart of Iran’s central desert, where the sky stretches endlessly and the earth offers architects an abundance of local and readily available building materials, a remarkable structure rises above the city, crowned by some of Iran’s tallest mosque minarets.

The contemporary history of Iran has many ups and downs, and Al-Montakhab min Tarikh Iran (The Selection from the History of Iran) is an attempt to provide an overview of these ups and downs.

A study of the lives of the Imams examines the approach of the Imams (peace be upon them) in dealing with the issue of the caliphate and government.

Divine religions establish principles for their followers, and Ethics in Islam seeks to explain Islamic moral principles for its own adherents.

History is a subject in whose analysis impartiality comes first, a perspective that has been well implemented in Analytical History of Islam.

The topic of religion and politics has always been a challenge for thinkers. Religious democracy tries to provide an answer to this challenge.

Qopuz also pronounced as Kopuz is an ancient string instrument, which is so important in the culture of the Azari-speaking people that when they generally talk about a musical instrument they mean Qopuz.

Javad Maroufi was a famous Iranian pianist who tried to introduce Iranian music to the world through his works.

The most important part of Turkmen music is the collection of works that are sung and played by the Bakhshis.

Balaban can be considered one of the most important wind instruments of Azari music, which is widely used in individual and group performances.

Kurdistan is a land with special customs and traditions, where special instruments are used to play music, especially in celebrations.

Dutar, the art of making and playing which has been inscribed on the UNESCO List of World Intangible Heritage, is one of the cultural elements of the north and northeast regions of Iran.

Mirza Mohammad Reza Kalhor was a renowned and skilled calligrapher of the Qajar era, recognized among the prominent Nastaliq masters in the history of Iranian visual arts. Through his innate talent and creativity, he succeeded in establishing a fresh, distinctive, and enduring style in Nastaliq calligraph.

New art media are a relatively recent branch of the visual arts, emerging through the use of fresh language and innovative forms of expression.

Photography is one of the various branches of visual arts and is the art of creating lasting images through light or other forms of electromagnetic radiation on light-sensitive materials.

Caricature is another branch of the visual arts that involves the exaggeration, distortion, and amplification of human, animal, or object features while maintaining a visually recognizable likeness.

Ibn Muqla is considered one of the most influential figures in the illustrious realm of Iranian calligraphy. Through his unparalleled dedication and creativity, he was able to develop and perfect the six canonical scripts—Muḥaqqaq, Rayḥān, Thuluth, Naskh, Ruqʿah, and Tawqiʿ—thereby leaving a lasting legacy for this quintessentially Iranian-Islamic art.

Darvish ʿAbdolmajid Taleqani was the most prominent calligrapher of the Shekasteh-Nastaliq style in 12th-century Iran, and many calligraphy scholars consider him the greatest master in the history of this script.

Ali Esfandiari, popularly known as “Nima Yushij”, the contemporary Iranian poet and nicknamed the father and founder of modern Persian poetry, was in the Yush district of the Mazandaran province of Iran born on November 11, 1897. “She’r-e Nau” (lit. New style of poetry) was a title that Nima himself had given to his art.

Nezami Ganjavi was a great Iranian poet of epic poetry who introduced a colloquial form of story writing in Persian literature and poetry

Mirza Mohammad Taghi Khan Farahani, popularly known as Amir Kabir

Farid al-Din Abu Ḥamed Mohammad bin Abu Bakr, popularly known as Attar Neyshabouri - one of the renowned Iranian mystics and poet of the Persian language - was born in the Kadkan district of the city of Neyshabour in the year 1146 CE.

Around 500 years ago, Sheikh Bahai, a great Iranian scientist, ended the long-standing dispute in the distribution of the water of the Zainderud River by writing his book Tumar

a famous Iranian wrestler was born in a moderate and religious family in the Khaniabad neighborhood of Tehran on August 27, 1930.

“Yalda”, which is of Syriac origin and means rebirth, is the name that Iranians have given to the longest night of the year and the last night of autumn, and they have been honoring it since eight thousand years ago.

Golvani is a special piece of cloth that women of the Lak tribe use as a headband and their men have different uses for it.

Shab-e Yalda (Yalda’s night) or Shab-e Chelle is the Iranians’ way to confront the coldest season of the year. This Iranian festival, which is celebrated every year on the night of December 20/21 (±1) in the Gregorian calendar, has a very long history and is among the most important Iranian festivals and ceremonies.

Maragheh is an ancient city in northwestern Iran where special ceremonies are held to commemorate Muharram.

The traditional and religious carpet washing ceremony of Fin Kashan and Khaveh Ardehal village, which is held every year on the second Friday of October in Mashhad Ardehal, 42 kilometers west of Kashan, is the only Islamic religious ceremony that is held according to the solar calendar. In this symbolic ceremony, participants from the Fin region gather to hold the event.

Nakhl Gardani (also called Khal Bardari) is a symbolic ritual performed by the people of Yazd to commemorate Imam Husain’s (AS) martyrdom on the Day of Ashura and although this ritual is performed in several central regions of Iran, Yazd is considered its origin.

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates